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Ink (2017)

by Anthony Toner

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1.
Let the River If your heart’s been abandoned in the window of a store, faded blue by the sun, and no-one goes there anymore, let the river wash you clean. And if you’re dry in the wind, and burned by the snow - if you’re caught out on the road, with nowhere to go, let the river wash you clean. This is a fine, sweaty life, but it’s the blink of an eye - take your troubles to the river, and wash them goodbye. And all the love and money? It came and it went, and it jingled in your pockets, like change you should have spent - let the river wash you clean. This is a fine, sweaty life, and it’s over way too soon, so take time to wish on stars, and look up at the moon. And be careful what you whisper from lover to lover, because love’s a kind of sickness, some people never recover - let the river wash you clean. Let the river wash you clean.
2.
An Alphabet 03:29
An Alphabet When I hug my father we hold on tight. If he forgets who I am, well that’s all right - A is for Alzheimer’s. B is for books, C is for coffee. You ponder your choice and you place your votes - you get the same old knives at the same old throats. D is for democracy. E is for Elvis. It’s an army based on blood connection, armed to the teeth with love and affection: F is for family. G is for guitars, H is for hard work. You type it or you write it, but you get it down - it’s all there’ll be left when you hit the ground. I is for ink. J is for jazz, K is for kindness. It’s an investment you just won’t believe: The more you put in, the more you receive - L is for love. When you think you can’t face another day, they pick you up and carry you all the way: M is for mothers. N is for north, O is for the ocean. P is for poetry, Q is for Quebec. Sunshine, windscreen, rolling fields - wind and rain, and the way that it feels: R is for the road. S is for sugar, T is for television. U is for up, V is for Valentine. And if W stands for all kinds of weather, and X is a kiss that you send in a letter, Y is for yes. When you enter this life, this is what you bring, and it’s what you take with you after everything: Z is for zero. When I hug my father we hold on tight.
3.
4.
Sleep like a Soldier I saw the lights of my hometown, as I was coming down the hill. I saw the blue of every TV on every window sill. Street signs and phone wires and a broken white line, and a tree that I planted in a garden that was mine. I saw the wind turbine blades reach their hands up to the stars, and I wound my window down, and caught some music from the bars. Saw a stray dog at the station with the last train gone, saw the river kiss the bridge and roll on. I breathe it out and I breathe it in, and I swear I see you walking on these streets again. If you would fold me in your arms once more, I would sleep like a soldier coming home from the war. I smelled the roses down in Anderson Park Where the little desperadoes used to hide out after dark. Felt the blood sweat and tears coming back through my skin, so I turned the music off and I let it back in - that night I tossed and I turned in my mother’s spare room, where the ghosts and wardrobes stood around in the gloom. The branches tap their fingers on the window frame, and I soaked myself in nightmares - and I waited for the flame. I breathe it out and I breathe it in, and I swear I see you walking on these streets again. If you would fold me in your arms once more, I would sleep like a soldier coming home from the war.
5.
The Night Prayer of St. Augustine After three days of morphine visions in the hospital, Tuesday night, you recited the books of the Bible, just to show that your head was all right. It was a trick you had learned as a youngster, some Sunday in some dusty old hall - you were golden as the sun on an acre of corn, when nothing really mattered at all. Such a succession of prophets, of letters and gospels and names: Corinthians, Romans and Hebrews, The Acts and Revelation and James. And then you told me the Sisters of Mercy had been with you the previous day, and they left this little card on your table, in case you decided to pray. Now you're gone but I still keep it with me, in the hope that I’ll get away clean. Some nights I sleep with it under my tongue: The Night Prayer of Saint Augustine.
6.
Square Eyed Boy Well you bring home sweets for your little square-eyed boy - he sits in front of the screen, when he should be out playing… I’m just saying. And everybody tells you he’s putting on weight. But he loves those detectives and cowboys - and the vicious cartoons in the afternoons. Last night there was a blonde handcuffed to a wheel that spun as a blindfolded man threw knife after knife. She looked just like your wife. And the Christmas Eve weatherman says it won’t snow. You hang chocolate coins on every branch of the tree, and turn off the TV.
7.
The Candidate A politician spoke to me once, from a speaker on top of a Hillman Avenger. I must have been ten years old – to me he sounded like he could have been a contender. I could see him in the passenger seat, talking on the mic like a TV detective. His face was on every lamppost, promising change and a whole new perspective. And he showed up two days later, in a tan raincoat with a big rosette - standing outside the butcher’s, handing out leaflets and cigarettes. I could hear him as I went to the shop: Saying ‘privatisation was an economic cancer’. I asked my father what that meant. He said ‘never mind son, ‘they’re all a bunch of chancers’.
8.
All the Winds If you walk away, there’ll be no turning back. And you might fix it up, but you’ll still see the cracks. And the words you say, and the cruel songs you sing leave their bite marks on everything. If you thought you could unbreak your heart, you would rig the rules to win. You would turn your face to all the winds. And you remember love as some kind of broken bone - remember some heal stronger, and some just don’t. When you weigh it up, you think you cover the cost. But you lay down sure - and you wake up lost. If you thought you could unbreak your heart, you would rig the rules to win. You would turn your face to all the winds.
9.
Still Your Man Maybe I zigged when I should have zagged, held my tongue when I should have bragged, I don’t know. I never know - but I’m still your man. And I sing for you with a steady beat, and I dance even though I’ve got two left feet I don’t know. I never know - but I’m still your man. They say the path ahead looks darker day by day. But I open my eyes to you, and I know we’ll walk it all the way. When I think about how life could have been, on Lonely Street like a leaf in the wind - I don’t know. I never know - but I’m still your man. I’ll be at the station when you’re coming home again, and I swear I’ll see your face on every train. I was empty as a plate in a restaurant, the waiter came and asked me what I want, I don’t know. I never know – but I’m still your man.
10.
11.
Light from the Stars There’s a half of a moon shining down on the road. And I’m tired and hungry, and so far from home. I’m watching the taillights, as they disappear. Rolling on to the bottom of this heartbreaking year. And they ask us to say a few words, when we’re speechless. Sometimes the light from the stars is too late to reach us. And it’s a hard way to find out if you’ve got what it takes - slipping over the white line, with your foot on the brakes. But it’s the same destination, in the same straight line. But you were watching the heavens, and I was reading the signs. It’s like Hank Williams wasted his breath when he tried to teach us – sometimes the light from the stars is too late to reach us. Sometimes the light from the stars is too late to reach us.
12.
Exit Wounds 02:46
Exit Wounds My friend’s dad had this pistol, and he kept it in a bedroom drawer. Now this was life during peacetime, I don’t even know what he had it for. It wasn’t even in a holster, or any kind of presentation box, it was just… lying in this drawer, between his underpants and socks. Well he checked the safety catch, and he squared up like a man - and then he told me it was loaded, and he placed it in my hand. My friend had seen this all before, and he sat at the foot of the bed. He knew when his dad was on the rum & coke, it would sometimes turn his head. Now I’d seen a thousand guns on TV, held by cowboys and detectives - but this was real, and black and heavy, and much more serious than expected. But I pointed at the wardrobe, and I practised looking grim, and then I waved it at the curtains - and gladly gave it back to him. His wife was absolutely furious, when she found out what he’d done - I mean, come on – a grown man and two twelve year olds in a bedroom with a loaded gun? She knew better than he did how teenage minds unfold - how if you hold a loaded gun, it’s something you never really quite un-hold. But my friend and me grew up loaded, with our safeties mostly on, and it’s strange that now the pistol and the father are both gone; and the underpants and the drawer, even the bedroom we stood in. The bullets, and the trigger and the firing pin. And in this country full of exit wounds and heartaches by the ton – to this day that’s still the only time I ever held a gun.
13.
Sometimes the Night When the sun starts sinking down, you watch it crash into the sea yourself. And the shadows start to grow, looking down on you from every shelf. In this big connected world, you never felt more alone – pick up the phone. CHORUS: Aw babe, you’ve got to let me know if there’s anything at all that I can do; cause I’ve been there, too - and I know how this one goes: Sometimes the night, sometimes the night, sometimes the night goes on for days… If you stare at something long enough, you start to tell yourself it disappears. And if you cry yourself to sleep at night, you can drown your own dreams in tears. In this big connected world, you never felt more alone - pick up the phone CHORUS A light as bright as you should never Have to face the dark alone, oh babe - if you were mine, I would shine a light All of the time You’d never have to worry, I would only be a call away CHORUS
14.
15.
The Pictures 01:09

about

Anthony Toner's 2017 album remains a career landmark, a point at which his writing became intensely personal - and as a result connected with audiences in a powerful way.
For the first time, Anthony had access to his own home recording set-up, and the foundations of this album were laid in a series of home sessions through 2016 and 2017. All of the guitars, lap steel, banjo and percussion were recorded at his house, with drums, bass and keyboards added afterwards.
Lyrically, the album is steeped in loss - by the time the album was released, his mother Eileen had died in 2014, and his father Leo had gone into care with a rapidly-advancing Alzheimer's condition. The album credits also mention the loss of some highly-prized friends: singer songwriter Bap Kennedy (the loss of Bap inspired the song 'Light from the Stars', bassist Alan Hunter and the great Henry McCullough, who had shown Anthony much encouragement when he started to perform his solo material on the north coast.
Alongside the reflective material were lighter shades - gems like 'Let the River' and 'The Candidate', and three beautiful guitar instrumentals. But it was the personal songs that touched listeners the most - particularly 'An Alphabet', 'The Night Prayer of Saint Augustine' and 'Exit Wounds'. These songs remain fan favourites, and are still in Anthony's live repertoire.
To find out more about the inspirations behing the album, the writing and recording, read Anthony's blog post here: bit.ly/3IENZvq

credits

released March 2, 2023

All music and lyrics by Anthony Toner
Produced by Clive Culbertson at No Sweat Recording Studios in Coleraine

Anthony Toner: vocals, guitars, dobro, banjo and percussion
Clive Culbertson - bass and harmony vocals
Peter McKinney - drums
John McCullough - piano and Hammond organ

Cover concept by Anthony Toner, Design by Damian Smyth at DFined

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Anthony Toner Belfast, UK

An independent singer songwriter and guitarist, based in Belfast.

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